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Royal Flora International Exhibition Big, Beautiful
and Lots of Fun Text : Sivaphol Saengsangkhom Images : Royal Flora Project & S.P.
Apsaras
One thing there can be no argument about: the Royal Flora International Exhibition that opened in the Northern capital on the first of this month is a phenomenon.
Situated at the foot of the hills to the south-west of Chiang
Mai city, occupying 80 hectares (nearly 200 acres), put into place
in short order at a cost of some 3 bn. baht (and even divided by
35.7 that's an awful lot of greenbacks), expected in the three months
of its duration to attract something like 3 m. domestic and
foreign visitors, nothing quite as ambitiously grandiose and extravagant
as this has been attempted before, even by a country famous for
its spectacular international events and national celebrations as
Thailand is: witness the Southeast Asian Games, Loi Krathong,
Songkran and the like.
The occasion of the exhibition provides the best
justification of its construction. The Royal Flora Ratchapreuk
2006, to give it its official designation, celebrates both the 80th birthday of
the country's deeply respected monarch, His Majesty King
Bhumiphol Adulyadej, and the 60th anniversary of his accession to the
throne. One of the most visited of the many sites of the Exhibition is going
to be the Royal Pavilion, a landmark structure built in the
Lanna (Northern Thai) style that features displays about the king's
many contributions during his long reign to bringing about beneficial
change, particularly to the rural sector of the Thai population - about
which more later.
‘Mt. Fuji’
Now it has to be admitted that invited to preview the
exhibition a few weeks prior to its opening, the editor of this journal - a lover
of nature in the raw, so to speak - felt more inclined to pull on
his climbing boots and hike up into the forest than go along. It's
a reaction by no means new to him. It goes a long way back -
The Festival of Britain? A visit to Versailles? The chance to
tour Chandighar? Holy Year in Rome? While he concurs with
Dryden that the proper study of mankind is man and his works, he nevertheless feels more comfortable in a contemplation of nature and
its mysteries. Even so, duty called, and having responded, he felt
on leaving the Exhibition that given the enormous variety of what's
on offer, it would be an unusual individual who didn't find something
that impressed, instructed or entertained him or her. The Royal
Flora Ratchapreuk 2006 certainly deserves and repays one or
more extended visits.
The approach itself is spectacular, along avenues
billowing with lines of yellow banners, each embellished with the
Exhibition logo. Once on site, the sculptures of Phya Nak - the
Serpent-Lord of Southeast Asia's Underworld - the elephant figures that
remind us of the emblematic and actual importance of the animal to
this kingdom, and the apsaras (angelic beings) lining the approach
to the Royal Pavilion, heighten our appreciation of the cultural
orientation of the region. A small hill, surmounted by a tree and planted
to represent the exhibition's logo, provides a sweeping panorama
- Chiang Mai city over to the northeast, the forested mountains
running down from Doi Suthep to the nearby eminence (Buddha
image-surmounted) of Doi Kham to the west, and all round the greater
or lesser structures of the exhibition that invite us to visit them.
Royal Pavilion
Given that something like 2,200 species and 2.5 million
individual plants and trees are waiting to be seen by us, we're going
to have to be pretty sharp in getting round to them.
Fortunately, transport's been laid on to cover the extensive site - electric
tramcars and buses among them.
Your first stop is like to be the
Corporate Garden, where a number of major domestic organisations and businesses
have undertaken to interpret the King's theories about agriculture and
his concept of `the sufficient economy'. It will be interesting to see how
they tackle their task. The International
Garden too is going to be popular. Japan has constructed a scaled-down version of
Mt. Fuji here, and the `Garden of Good Fortune' that contains it will
also display the extremely rare oka hasu lotus, said to have been
grown out of a bicentennial seed, and shown publicly only once
before. Also featured are `Kiritani Misty Valley', 'The Isle of Tortoises'
and `The Isle of the Sarrus Crane'. And this, note, is only one of
the international elements of this garden. As to the domestic input,
the Chiang Mai municipality is offering a 'Suwan Lanna' garden,
showcasing local culture through the exhibition of traditional
artifacts, among them the impressive vertical banners known as
tung. The provincial administration also is offering a landscape model
that owes inspiration to the many Royal Projects that have
transformed Thai agriculture during the last twenty and more years.
Thai Heritage Site
The Tropical Dome is likely to be a particularly
popular venue, each plant on display more remarkable than the last.
The names alone are intriguing - Iguanura, Borassodendron
machadonis, the Tacca chantieri: while their features match the
nomenclature. The latter, for example, have flowers that look like bat faces.
The Borassodendron meanwhile is a palm with massive leaves so
sharp that even the elephants give them a wide berth - not
something you're likely to cultivate in your own garden, evidently. Look out
too for the `Dancing Ladies Ginger', which is expected to be in
blossom during the exhibition. It is though a rather small and not
especially showy plant, no more than a foot high, that's going to be the focus
of a great deal of attention. Christened popularly the
`Dinosaur-era Wollembi', it can be traced back some 250 million years.
Fossil forms of the plant were first found in China five years ago,
and Australian scientists have since determined that it was - and now
is - a hitherto undiscovered genus of pine. It made its long-delayed comeback, apparently, by a process of
cloning from the surviving materials of the age-old plant, Thailand one of only twenty
countries to have received a specimen from the Australian botanical experts nurturing it.
But don't forget to look too into
the Thai Tropical Garden, which offers a vast variety of trees, plants and
flowers: fantastic fruits, glorious orchids among them. It may well be chilly outside
during what is after all the winter season here.
Both the Tropical Dome and this Tropical Garden will be places to linger, then, before
striking out even further afield.
Royal Pavilion
And at some point you're likely to
find yourself walking up an impressive avenue between those
apsaras mentioned earlier, hands gently pressed together in greeting, a heavenly smile on
their faces, as you approach what must be one of this massive
exhibition's most impressive buildings - the elevated and ornately
decorated Royal Pavilion. It is here that the achievements of the King
are being celebrated. In the two-storey concrete and wooden
building, designed by local experts in the Lanna style, on the first floor we
find an exhibition called The Agricultural King - the Splendour that
Benefits the People. Lavishly illustrated with photographs, the
exhibition goes back over the decades in which His Majesty has
devoted himself, both in theoretical endeavours and in practice, to
eradicating poverty and improving the lives, not only of his rural
subjects, but also the hill peoples. For this work the King was honoured
in May this year with a life-time achievement award from the
United Nations, and in June the Ministry of Science and Technology
bestowed on him the title, `The Father of Thai Innovation'. On
the second floor of the Royal Pavilion, the King's activities and
achievements are celebrated artistically, mainly in traditional murals by
the Thai national artist, Preecha Taothong. This artist has also
designed a sculpture called `The Royal Virtue Tree'. Twenty-one
thousand, nine hundred and fifteen leaves adorn the tree - equalling
the number of days since the King's accession.
If the Royal Pavilion is one of the highlights of the
exhibition structures, also not to be missed are the entertainments that
will take place every evening, most of them at the near-by
Main Amphitheatre. The temptation to see as much as you can
during the warmer daytime hours will be strong, no doubt. But when
twilight comes, and Chiang Mai is a twinkle of lights on the horizon and
a glow in the sky, there will be another temptation - to pull on
your sweaters and bring out your scarves: to forswear going back to
the big city for another hour or two, and after a tuck-in at one of
the many restaurants at the site - where the cuisine offered will be
truly international, but with no shortage of pungent local dishes - to
enjoy what the Royal Flora Ratchapreuk 2006 offers in the evening.
`The Flora Fantasy Electric Parade' for example! What on
earth can that be? You'll only find out by going along and staying into
the evening yourself of course.
But knowing Thailand, you'll be fairly safe in
predicting that after the daytime exploration of all that's
on offer, the evening entertainments are going to offer
lots of fun.
Reserve your multiple entry ticket today from the Ratchaphruek
ticketing booth on the 1st floor, Central Airport Plaza, Customer Relations Counter on
the 2nd floor, Central Kad Suan Kaew; at any branch of Krungthai Bank in
Amphur Muang; and at Direct2U on the
3rd floor of Central Airport Plaza.
Single Entry tickets can be purchased from any branch of Krungthai
Bank in Amphur Muang, and KTB's other 450 branches throughout Thailand.
(Text © 2006 Sivaphol)
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